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My Favourite Album: That's Your Fire by Aloha (Gue.

Backchat: Mathias Kom on The Burning Hell's Back C.

But the points he makes in that review really changed my perception of the LP, and even enhanced my enjoyment of it. Yes, David Edwards' writing can be a little purple in places, and yes, he does conclude by assigning the album yet another meaningless rating. My all-time favourite album review is Drowned in Sound's take on Last of the Country GentlemenВ by Josh T. However, I believe that reviews canВ still serve a purpose if we stop trying to assess the quality of the albums we review and start using those paragraphs to search for the meaningВ in the music. A review that ends in a rating merely tells you whether or not that particular writer liked the record in question, and given the overwhelming prevalence of straight-down-the-middle three-star reviews, many don't even tell you that much. In fact, I'd argue that thoseВ type of reviews were obsolete from the very beginning, what with music being subjective and one man's favourite album being another's unlistenable garbage. If reviews are merely the preamble you skip past when you're looking for a star rating or a mark out of ten - if you think that a reviewer's job is simply to give a thumbs-up, a thumbs-down, or a wiggly hand gesture indicating something in between - then I'd agree that you no longer need reviews. The question of whether or not album reviews are still relevant hinges entirely on what you think a review is for. The best reviews search for meaning, rather than merely assessing quality. And that just isn't true I can only speak for myself, of course, but when I read an album review, the CD being evaluated is very often one that I already own.

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Ozzi makes a strong case: why should you, the listener, waste your precious time reading a review? You don't need a professional critic to tell you whether or not that hot new album is any good - you can just fire up Spotify, have a listen, and find out for yourself!ДЄs valid as that point is, though, it does seem to assume that the only reason anyone everВ read reviews was to help them to make a decision.

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Why take the word of some greasy snob hiding behind a byline when your brain can tell you whether or not a song is any good? With every new album available at our fingertips completely for free at the instant of its release for our own personal judgement, you've got to wonder: Do we still need the album review?' 'A music criticвЂ™s greatest competitor has always been a listenerвЂ™s own damned ears. A Hundred Stories was breathtaking a crazy hybrid of pop, jazz and college rock crammed into three minutes. The two Aloha tracks on that sampler were a real game of two halves.

Albums from artists such as Rainer Maria, The Ivory Coast, and American Football were all purchased, as well as Aloha's ThatвЂ™s Your FireВ - my favourite album of all time. After a couple of listens, however, I had parted with the remainder of the wad I'd taken out shopping via the Polyvinyl site. I ended up seemingly disappointed, clutching a sole CD entitled ReDirectionВ -В a sampler from Polyvinyl Records - on the tube journey back home to Putney Bridge.

I'd been pestered by friends to go and check out the various incarnations of the store, and so - armed with around ВЈ100 - I planned a day of wandering around, digging in crates, and flicking through the CD racks. My accident took place in the Music & Video Exchange in Notting Hill in 2001. It's often the case that you come across some of the best music entirely by accident.